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True Norwegian Black Metal
Author: Peter Beste
Publisher: powerHouse Books
ISBN: 1576874354
Pages: 208
Year: 2008
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In the last two decades, a bizarre and violent musical subculture called "Black Metal" has emerged in Norway. Its roots stem from a heady blend of horror movies, heavy metal music, Satanism, Paganism, and adolescent angst. In the early-mid 1990s, members of this extremist underground committed murder, burned down medieval wooden churches, and desecrated graveyards. What started as juvenile frenzy came to symbolize the start of a war against Christianity, a return to the worship of the ancient Norse gods, and the complete rejection of mainstream society.
Lords of Chaos
Author: Michael Moynihan, Didrik Soderlind
Publisher: Feral House
ISBN: 193259552X
Pages: 405
Year: 2003-11-01
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“* * * * * *! The most incredible story in the history of music … a heavyweight book.”—Kerrang! “An unusual combination of true crime journalism, rock and roll reporting and underground obsessiveness, Lords of Chaos turns into one of the more fascinating reads in a long time.”—Denver Post A narrative feature film based on this award-winning book has just gone into production.
Black Metal
Author: Dayal Patterson
Publisher: Feral House
ISBN: 1936239760
Pages: 600
Year: 2013-11-25
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Featuring a wealth of new interviews with the genre’s most central figures, Black Metal: Evolution of the Cult offers the most comprehensive guide yet to the most controversial form of extreme metal. From the pioneers of the early ‘80s to its fiery rebirth in Scandinavia through to today’s diverse groups, this epic analysis captures the movement’s development in unparalleled depth.
Houston Rap
Author: Peter Beste, Lance Scott Walker, Johan Kugelberg, B. Bun
ISBN: 193826505X
Pages: 272
Year: 2013-11-30
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The Houston, Texas, neighborhoods of Fifth Ward, Third Ward and South Park have grown to be hallowed ground for modern rap culture, populated with celebrities, entrepreneurs, support networks and a micro-economy of their own. Photographer Peter Beste (photographer of "True Norwegian Black Metal") and writer Lance Scott Walker spent nine years documenting the most influential style in twenty-first-century hip hop and the vibrant inner city culture from which it stems. "Houston Rap," edited by Johan Kugelberg, profiles noted artists such as Bun B of UGK, Z-Ro, Big Mike, K-Rino, Willie D of the Geto Boys, Lil' Troy and Paul Wall, alongside reflections on the lives of departed legends such as DJ Screw, Pimp C and Big Hawk. The book also features community leaders, rappers, producers, businessmen and family members, all providing an astonishing and important insight into a great American cultural narrative. In addition to featuring Beste's previously unseen images of the contemporary Houston rap scene, "Houston Rap" includes a detailed timeline charting the growth of rap music in Houston from its origins to the present.
Norwegian Black Metal Coloring Book
Author: Ole Andersen
ISBN: 1974546152
Pages: 38
Year: 2017-08-12
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The early 1990s Norwegian black metal scene is credited with creating the modern black metal genre and produced some of the most acclaimed and influential artists in extreme metal. It attracted massive media attention when it was revealed that its members had been responsible for two murders and a wave of church burnings in Norway.The scene had an ideology and ethos and was likened to a cult, with the core members referring to themselves as "The Black Circle" or "Black Metal Inner Circle". It consisted primarily of young men, many of whom gathered at the record shop Helvete ("Hell") in Oslo. In interviews, they voiced extreme anti-Christian and misanthropic views, presenting themselves as genuine Satanists who wanted to spread terror, hatred and evil. They adopted pseudonyms and appeared in photographs wearing 'corpse paint' and wielding medieval weaponry. The scene was exclusive and created boundaries around itself, incorporating only those it deemed to be "true" or committed. Musical integrity was highly important and artists wanted black metal to remain underground and uncorrupted.
Black Metal
Author: Tom Howells
Publisher: Black Dog Pub Limited
ISBN: 1907317724
Pages: 189
Year: 2012
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Black Metal is a genre often maligned as overtly concerned with nihilism, destructiveness and an insular obsession with Satanism and aggressive nationalism. In reality, it is a constantly evolving vehicle for musically and ideologically progressive groups and artists, one that is increasingly forward thinking despite maintaining a purity of expression that is tied to the past. The formative events that, in equal measure, shocked and fascinated the tabloids of Norway and the international Metal underground in the early 1990s have given way to pan-academic appraisal, far-reaching musical appropriation and new conceptions of regional and stylistic self-identity. Black Metal — Beyond the Darkness aims to look past the much-discussed Second Wave spearheaded by groups and artists such as Mayhem, Burzum, Darkthrone and Emperor, with a new focus on a number of the form’s lesser-reported international scenes; developments in the selling and distribution of Black Metal through labels, stores and distros; idiosyncratic aesthetics and inherent notions of theatricality; Black Metal’s relationship with the world of Fine Art; and oral recollections of the genre’s development, amongst other topics. Illustrated with previously unseen archival photography, record covers, ephemera and other diverse aesthetic documentation of the genre, Black Metal — Beyond the Darkness includes newly commissioned essays by Nathan T Birk, Louis Pattison, Nick Richardson, Jérôme Lefèvre and Diarmuid Hester, as well as newly prefixed texts by Brandon Stosuy and Hunter Hunt-Hendrix, alongside testimonials by groups and individuals including John ‘Metalion’ Kristiansen, Ulver, Imperial, Trine + Kim Design Studio, Nicola Masciandaro and Jon “Thorns” Jamshid.
Author: Jon Kristiansen
Publisher: Bazillion Points
ISBN: 0979616344
Pages: 720
Year: 2011
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Draws on the archives of Slayer Magazine in a photographic treasury that features such classic heavy metal bands as Kreator, Mayhem and Morbid Angel, providing supplemental rare archival material, historical photographs and previously unreleased interviews.
Hideous Gnosis
Author: Nicola Masciandaro
Publisher: Glossator
ISBN: 1450572162
Pages: 281
Year: 2010
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Essays and documents related to Hideous Gnosis, a symposium on black metal theory, which took place on December 12, 2009 in Brooklyn, NY. Expanded and Revised. "Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous." - H.P. Lovecraft "Poison yourself . . . with thought" - Arizmenda CONTENTS: Steven Shakespeare, "The Light that Illuminates Itself, the Dark that Soils Itself: Blackened Notes from Schelling's Underground." Erik Butler, "The Counter-Reformation in Stone and Metal: Spiritual Substances." Scott Wilson, "BAsileus philosoPHOrum METaloricum." Hunter Hunt-Hendrix, "Transcendental Black Metal." Nicola Masciandaro, "Anti-Cosmosis: Black Mahapralaya." Joseph Russo, "Perpetue Putesco - Perpetually I Putrefy." Benjamin Noys, "'Remain True to the Earth!': Remarks on the Politics of Black Metal." Evan Calder Williams, "The Headless Horsemen of the Apocalypse." Brandon Stosuy, "Meaningful Leaning Mess." Aspasia Stephanou, "Playing Wolves and Red Riding Hoods in Black Metal." Anthony Sciscione, "'Goatsteps Behind My Steps . . .': Black Metal and Ritual Renewal." Eugene Thacker, "Three Questions on Demonology." Niall Scott, "Black Confessions and Absu-lution." DOCUMENTS: Lionel Maunz, Pineal Eye; Oyku Tekten, Symposium Photographs; Scott Wilson, "Pop Journalism and the Passion for Ignorance"; Karlynn Holland, Sin Eater I-V; Nicola Masciandaro and Reza Negarestani, Black Metal Commentary; Black Metal Theory Blog Comments; Letter from Andrew White; E.S.S.E, Murder Devour I. HTTP: //BLACKMETALTHEORY.BLOGSPOT.COM
Trve, the Norwegian Black Metal Scene
Author: Kevin Hoffin
ISBN: 1973703866
Pages: 52
Year: 2017-07-17
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A Subcultural study of the 1990s Norwegian 'Second Wave' of Black Metal.With reference to gang theories, subcultural study and neo-tribalism.Criminology, Sociology, Subculture, Social Science, Music, Black Metal, Black Metal Theory.52 pages
The Death Archives: Mayhem 1984-94
Author: Jørn "Necrobutcher" Stubberud
Publisher: Omnibus Press
ISBN: 1787591522
Pages: 237
Year: 2018-09-13
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Mayhem’s story is the definitive black metal saga. It has a darkness which lies beyond most of our daily comprehensions, and a continuing influence and legacy that sees not only the genre, but also the fans, continue to be both fascinated and influenced by these true pioneers. Lars Ulrich, Metallica ...Whatever your opinion of Mayhem’s music (challenging, mystical and inspiring, traditional /classical), or the history of the band’s hierarchy of anachronistic, mythic archetypal members (a brotherhood, betrayal and tragedy, self-destruction, isolationist and populist, concurrent presence in the world), it is clear that the core and original aesthetics of Mayhem ultimately created an entirely new foundation and probably another total universe (musically, visually, ethically and even spiritually and existentially) for an entire generation of black metal musicians and artists, which continues strongly to this day. In that context I may compare them to a brutalist parallel of rock ’n’ roll’s MC5 for metal music. Stephen O’Malley, SUNN O))) This is the best book on the subject, makes other ones look fake. The Death Archives is true metal and by far the best book on this scene. Jonas Åkerlund, Director, Lords of Chaos Forget Lords of Chaos. Forget every half-assed “history of metal” book you’ve seen moldering on the bookshelf. There are a lot of great metal history books out there, but very few that do any justice at all to the always intriguing, often infuriating, and occasionally impenetrable global phenomenon that is black metal. Vice
Norwegian Black Metal
ISBN: 4434065912
Pages: 36
Year: 2005-07
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Sounds and the City
Author: B. Lashua, K. Spracklen, S. Wagg
Publisher: Springer
ISBN: 1137283114
Pages: 323
Year: 2014-05-27
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This book explores the ways in which Western-derived music connects with globalization, hybridity, consumerism and the flow of cultures. Both as local terrain and as global crossroads, cities remain fascinating spaces of cultural contestation and meaning-making via the composing, playing, recording and consumption of popular music.
Lord of the Logos
Author: Christophe Szpajdel
Publisher: Die Gestalten Verlag
ISBN: 3899552822
Pages: 240
Year: 2009
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Fans of underground black metal music call Christophe Szpajdel the Lord of the Logos. This eponymous book is a collection of hundreds of Szpajdel's powerful logos, each of which captures the force of this genre anew. Through his use of unusual aesthetic influences, Szpajdel has brought a new dynamic into the gothic visuality of heavy metal. He has not only succeeded in leaving his own visual mark on this music, but has expanded the canon of forms it uses. The book is done in the style of a black prayerbook, an appropriate choice for an artist whose fans in the black metal community worship him as the Lord of the Logos.
The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Pages: 640
Year: 2007-10-16
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The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life. The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama's The Embarrassment of Riches and Louis Menand's The Metaphysical Club, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.
Satanic Metal Coloring Book
Author: Jens Antichristus
Publisher: Createspace Independent Publishing Platform
ISBN: 1544864159
Pages: 32
Year: 2017-03-21
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Satan is a figure appearing in the texts of the Abrahamic religions who brings evil and temptation, and is known as the deceiver who leads humanity astray. Some religious groups teach that he originated as an angel, or something of the like, who used to possess great piety and beauty, but fell because of hubris, seducing humanity into the ways of falsehood and sin, and has power in the fallen world. In the Hebrew Bible and the New Testament, Satan is primarily an accuser and adversary, a decidedly malevolent entity, also called the devil, who possesses abhorrent qualities. Although Satan is generally viewed as having negative characteristics, some groups have very different beliefs. In Theistic Satanism, Satan is considered a deity who is either worshipped or revered. In LaVeyan Satanism, -Satan- is a symbol of virtuous characteristics and liberty.