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A Schoenberg Reader
Author: Joseph Auner
Publisher: Yale University Press
ISBN: 030012712X
Pages: 460
Year: 2008-10-01
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Arnold Schoenberg’s close involvement with many of the principal developments of twentieth-century music, most importantly the break with tonality and the creation of twelve-tone composition, generated controversy from the time of his earliest works to the present day. This authoritative new collection of Schoenberg’s essays, letters, literary writings, musical sketches, paintings, and drawings offers fresh insights into the composer’s life, work, and thought. The documents, many previously unpublished or untranslated, reveal the relationships between various aspects of Schoenberg’s activities in composition, music theory, criticism, painting, performance, and teaching. They also show the significance of events in his personal and family life, his evolving Jewish identity, his political concerns, and his close interactions with such figures as Gustav and Alma Mahler, Alban Berg, Wassily Kandinsky, and Thomas Mann. Extensive commentary by Joseph Auner places the documents and materials in context and traces important themes throughout Schoenberg’s career from turn-of-century Vienna to Weimar Berlin to nineteen-fifties Los Angeles.
Theory of Harmony
Author: Arnold Schoenberg
Publisher: Univ of California Press
ISBN: 0520049446
Pages: 440
Year: 1983
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This book will come as a joy, a revelation, a warm reassurance. From this one book one might well learn less about harmony than about form, about aesthetics, even about life. Some will accuse Schoenberg of not concentrating on the topic at hand, but such an accusation, though well-founded, would miss the point of Theory of Harmony, because the heart and soul of the book is to be found in his vivid and penetrating digressions. They are the fascinating reflections of a great and humane musician who was a born writer as well. - from the book.
The New Harmony Book
Author: Frank Haunschild
Publisher: Mel Bay Publications
ISBN: 3927190683
Pages: 149
Year: 1997-01
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"This workbook for all musicians gets down to the rudiments of music right from the start. Notation is dealt with in depth and in an easily understandable way, as are the harmonic series and the various intervals and triads as well. There are step-by-step explanations of how to use chord symbols, with the relationships of the chords to each other being demonstrated as well. In addition there is close examination of the circle of fifths and the circle of fourths, the chord-scale systems of the major scales, and the harmonic and melodic minors, as well as pentatonic scales, symmetrical scales and blues scales. Numerous illustrations and examples, exercises and solutions, commentaries and analyses make a decisive contribution to a better understanding of the rudiments of music."
Year: 2000
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Hallelujah Junction
Author: John Adams
Publisher: Farrar, Straus and Giroux
ISBN: 1466804424
Pages: 352
Year: 2009-11-24
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John Adams is one of the most respected and loved of contemporary composers, and "he has won his eminence fair and square: he has aimed high, he has addressed life as it is lived now, and he has found a language that makes sense to a wide audience" (Alex Ross, The New Yorker). Now, in Hallelujah Junction, he incisively relates his life story, from his childhood to his early studies in classical composition amid the musical and social ferment of the 1960s, from his landmark minimalist innovations to his controversial "docu-operas." Adams offers a no-holds-barred portrait of the rich musical scene of 1970s California, and of his contemporaries and colleagues, including John Cage, Steve Reich, and Philip Glass. He describes the process of writing, rehearsing, and performing his renowned works, as well as both the pleasures and the challenges of writing serious music in a country and a time largely preoccupied with pop culture. Hallelujah Junction is a thoughtful and original memoir that will appeal to both longtime Adams fans and newcomers to contemporary music. Not since Leonard Bernstein's Findings has an eminent composer so candidly and accessibly explored his life and work. This searching self-portrait offers not only a glimpse into the work and world of one of our leading artists, but also an intimate look at one of the most exciting chapters in contemporary culture.
Modern Times
Author: Robert P Morgan
Publisher: Springer
ISBN: 1349112917
Pages: 464
Year: 1993-11-02
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Modern Watercolor
Author: Kristin Van Leuven
Publisher: Walter Foster Publishing
ISBN: 1633225623
Pages: 128
Year: 2017-09-19
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It’s time to get your feet wet with watercolors! This dynamic and inspirational guide will set you down a path of exploration as you learn to play with watercolors. You will learn to effectively use basic techniques and principles to create beautiful, expressive works of art. In Modern Watercolor, artists will discover how to paint in watercolor by harnessing the medium's unique transparent qualities to create stunning works of art, stationery, gifts, and more. From selecting your first watercolor paints to learning to blend colors into a unique palette, we are here to guide you as you begin your journey. By the end, your paintings will be cohesive and rich. These easy-to-follow lessons will explore using watercolor on different surfaces, how to create basic shapes using fun techniques, and how to create myriad gorgeous effects that can be achieved with different brushes and strokes. You will even learn how to add layers of dimension and texture and how to work with resist techniques to create pretty patterns and gorgeous backgrounds.
Christ Empowered Living
Author: Selwyn Hughes
Publisher: B & H Books
ISBN: 0805424504
Pages: 263
Year: 2001
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Explores the fundamental questions of human personality as shaped by sin, explaining God's plan for redemption and how an understanding of God's ways can serve as a spiritual road map.
Arnold Schoenberg's Journey
Author: Allen Shawn
Publisher: Farrar, Straus and Giroux
ISBN: 1466895500
Pages: 272
Year: 2016-01-19
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A composer's study and celebration of a difficult but influential artist, his work, and his time Proposing that Arnold Schoenberg (1874-1951) has been more discussed than heard, more tolerated than loved, composer Allen Shawn puts aside ultimate judgments about Schoenberg's place in musical history to explore the composer's fascinating world in a series of "linked essays--soundings" that are more searching than analytical, more suggestive than definitive. In an approach that is unusual for a book of an avowedly introductory character, the text plunges into the details of some of Schoenberg works, while at the same time providing a broad overview of his involvement in music, painting and the history through which he lived. Emphasizing music as an expressive art of rhythms and tones, Shawn approaches Schoenberg primarily from the listener's point of view, uncovering both the seeds of his radicalism in his early music and the traditional bases of his later work. Although liberally sprinkled with musical examples, the text can be read without them. By turns witty, personal, opinionated and instructive, "Arnold Schoenberg's Journey" is above all an appreciation of a great musical and artistic imagination in a time unlike any other.
Schonberg and Kandinsky
Author: Konrad Boehmer
Publisher: Routledge
ISBN: 113664928X
Pages: 242
Year: 2013-04-03
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
The Routledge Research Companion to Modernism in Music
Author: Björn Heile, Charles Wilson
Publisher: Routledge
ISBN: 131704245X
Pages: 518
Year: 2018-10-29
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Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Fin-de-siáecle Vienna
Author: Carl E. Schorske
Publisher: Vintage
ISBN: 0394744780
Pages: 378
Year: 1981
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Seven interlinked essays on Habsburg Vienna in the late nineteenth and early twentieth centuries focus on the intersection of politics and culture and the achievements of the city's political geniuses
Coherence, Counterpoint, Instrumentation, Instruction in Form
Author: Arnold Sch”nberg
Publisher: U of Nebraska Press
ISBN: 0803242301
Pages: 135
Year: 1994
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Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him. ø Fuller understanding has been delayed because many of his writings have not yet been edited or published. This volume collects four short works, each concentrated on a key issue in composition. Written in 1917, but altered and augmented many times in later years, the manuscripts edited and translated in this volume have never been published before. ø Their importance can permit no further delay since they present Schoenberg's thinking well after the publication in 1911 of Harmonielehre, his revolutionary theoretical book. The later texts provide numerous prospects for enhancing the study and appreciation of Schoenberg's compositions and theories. ø Also a painter, Schoenberg enjoyed the friendship of Kandinsky and the Berlin expressionists. This volume includes a frontispiece reproducing one of Schoenberg's paintings.
The Atonal Music of Arnold Schoenberg, 1908-1923
Author: Bryan R. Simms
Publisher: Oxford University Press on Demand
ISBN: 0195128265
Pages: 265
Year: 2000
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Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
Meister Eckhart, Teacher and Preacher
Author: Meister Eckhart, Bernard McGinn, Frank J. Tobin
Publisher: Paulist Press
ISBN: 0809128276
Pages: 420
Year: 1986
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Eckhart's ministry as a preacher was an equally important part of the man, and thus his sermons, from both the Latin and the Middle High German manuscripts, are included. What emerges is a comprehensive picture of the works of this great speculative theologian. Together with Meister Eckhart: The Essential Sermons, Commentaries and Treatises, this work forms the most extensive corpus of Eckhart's writings in English.